stretch up是什么意思
stretch up 伸展双语例句:1.Stretch up high above your head. 伸展你们的手。
2.Elaborately carved amber panels, in shades ranging from butter yellow to dark red, stretch up 8-meter walls. 雕刻精美的琥珀嵌板,镶嵌在高达8米的墙上,颜色从奶黄到深红。
3.For example, as a power line ascends a hill, the pylons could look as if they're climbing. The figures could also stretch up to gain increased height over longer spans. 比如,可以将一座建于山坡上的电线塔设计成一个正在攀爬的勇士形状,这样的设计更可以通过延伸增加较大跨度范围内电线杆的高度。
stretch up with
向上延伸(stretching upward; up d8c ward stretch) 向上延伸是指 企业 原来生产低档产品,后来决定增加高档产品。
就是 在产品 组合的某一条 产品线 中增加新的高档高价的 产品项目 , 以提高企业现有产品的市场声望。
这样既可提高企业原有产品的销售量, 又可以使企业的产品逐步转入高档产品市场, 从而谋求企业的长远利益。
英文高手帮我翻译一下ShutUp的歌词不要软件翻译的答案,牛头不
[合唱]我们在慢慢的尝试,但我们还是失去了控制,我们努力的不让它失去,可我已经疯掉了,我尝试着去做你的女人,可我要疯了。
女孩,我和你就好(你知道),我们在一起吃喝,这些是情侣之间的,(你知道)。
走在海滩上,(你知道)。
情侣之间说的或做的,我爱你boo,我爱你too。
我好想你,我想你很多。
这就是为什么我飞了,在我们旅行的时候。
但有一种东西从我手中走出,你开始大叫在我和朋友在一起的时候。
即使我有合法的原因,(狗屁!)你知道我需要把证据拿出来。
(狗屁!)。
你怎么可以信任我们的秘密女孩,和平静了这谴责。
[合唱]为什么他知道她这么快行动,爱情在最后还是可以有进展的。
为什么你会失去控制,每次你都同意慢慢尝试。
为何要如此坚强,因为傻瓜的欲望永远得不到爱,展示他这爱你曾给过的。
改变你的人生,为了爱transistion.女孩想要你试着听她讲话,生对方的气成了我们的传统,你吵,我也吵,大家都吵。
连街对面的邻居都说“谁呀,该死的!”什么是该死的以下,太多的争吵,毁掉了这一切。
[合唱]女孩,我们的爱正在死亡,为什么你不停止尝试,我从来没有quitah。
但我值得betta,相信我会做不好,让我们忘记过去,让我们从新开始。
为什么?因为是老例行。
然后下个星期我听到他们在尖叫,女孩,我知道他们说的你累了。
你dame对了,因为我昨天有听到他们没有站脚的理由。
那是个不同的东西,不,那不是,那是个不同的东西,不,那不是,那是个不同的东西,那是和谴责一样的。
和理由一样,男孩,你是没用的。
哇~~~~[合唱]停止那孩子的话,或者,我开始孩子走路。
这就是所有的。
[重复] 啊~~~累死了,还好我懂美国口语。
to dress up or to be dressed up?
英语有很多动词和动词短语既可以及物,也可以不及物。
以“dress up”为例:作不及物动词短语使用时,有两个意思,一个意思是“put on clothes that make you look like someone else, for fun”(穿衣服装扮某人),例如“The children had dressed up as princes and princesses.”(孩子们们穿上王子、公主的服装,打扮成王子、公主);另一个意思是“put on clothes that are more formal than the clothes you usually wear”(穿上盛装,精心打扮),例如“He had made an effort to dress up for the banquet.”(他精心打扮,准备出席宴会)。
作及物动词短语(即“dress someone up”)时,也有类似的两个意思,一个意思是“put clothes on someone so that they look like someone else, for fun”(使……穿上衣服装扮某人),例如“For her birthday party, her mother had dressed her up as a fairy.”(她妈妈把她打扮得像仙女过生日派对);另一个意思是“make someone or something seem more impressive.”(使……某人或某物装扮得更神气),例如“He hated being dressed up.”(他不喜欢穿得一本正经的)。
同样,可以用不及物的“stretch out”,也可以用及物的“stretch someone (或something) out”。
所以,原句不错。
用作及物还是用作不及物,取决于说话人要表达的意思。
急求sony vegas视频制作软件的所有键盘快捷键操作。
看下吧 - - Project file 方案文件命令 热键Create new project 建立新方案 Ctrl+NExit Vegas 退出Vegas Alt+F4Open existing project 打开已存在的方案 Ctrl+OProject properties 方案特性 Alt+EnterSave project 保存方案 Ctrl+SWindow view 调用视窗视图命令 热键Set focus to track view Alt+0Explorer 导出 Alt+1Trimmer 修剪器 Alt+2Mixer 混音台 Alt+3Edit Details 编辑细节 Alt+4Media Pool 媒体存储表 Alt+5Video Preview 视频预览 Alt+6Transitions 转变 Alt+7Video FX 视频特技 Alt+8Text/Backgrounds 文本/背景(字幕) Alt+9Plug-Ins 插件 Ctrl+Alt+1Next window 下一个视窗 F6或Ctrl+TabPrevious window 前一个窗口Shift+F6 或Ctrl+Shift+TabToggle focus between track list and timeline在轨道表与时间线之间交替Tab在前一轨与下一轨之间切换 Alt+Shift+上/下箭头键Vegas Video 快捷键 2Edit 编辑命令命令 热键Cut selection 切掉选择区 Ctrl+X或Shift+DeleteCopy selection 拷贝选择区 Ctrl+C或Ctrl+InsertPaste 粘贴 Ctrl+V 或 Shift+InsertPaste Insert 插入粘贴 Ctrl+Shift+VPaste repeat 重复粘贴 Ctrl+BDelete selection 删去选择区 DeleteMix to new track 混合到新轨 Ctrl+MOpen in audio editor 在音频编辑器中打开 Ctrl+EUndo 恢复 Ctrl+Z或Alt+BackspaceRedo 重做 Ctrl+Shift+Z 或Ctrl+YSplit 分裂 STrim/crop selected events 休整/修剪被选择事件 Ctrl+TRebuild Peaks 重新计算波形图 F5Normal tool 切换到普通工具 Ctrl+DCursor placement 安置光标命令 热键Center view around cursor 把光标放置在视窗中心 Go to 把光标放置到(计数器变成蓝色后,直接在计数器中输入时间) Ctrl+GGo to beginning of selection or view (if no selection)把光标放置到选择区或视窗(如果没有选择区)的开始位置,HomeGo to end of selection or view (if no selection)把光标放置到选择区或视窗(如果没有选择区)的结尾位置EndGo to beginning of project 把光标放置到方案的开始位置 Ctrl+Home 或WGo to end of project 把光标放置到方案的结尾位置 Ctrl+End或EJump to opposite side of selection 把光标跳置到选择区的另一边 5 (数字键)Vegas Video 快捷键 3Jump to marker # 把光标跳置到一个标记号上 0-9 keys (非数字键)Move left by grid marks 把光标向左跳置到前一个网格线上 Page UpMove right by grid marks 把光标向右跳置到后一个网格线上 Page DownMove to previous marker 把光标移动到前一个标记上 Ctrl+左箭头键Move to next marker 把光标移动到下一个标记上 Ctrl+右箭头键Move to previous CD track 把光标移动到前一个CD 轨 Ctrl+CommaMove to next CD track 把光标移动到下一个CD 轨 Ctrl+句号Move to previous CD index or region把光标移动到前一个CD 索引或片段CommaMove to next CD index or region 把光标移动到下一个CD 索引或片段 句号Move left to event edit points including fade edges把光标移动到事件编辑点(包括衰减线的边界点)的左边 Ctrl+Alt+左箭头键Move right to event edit points including fade edges把光标移动到事件编辑点(包括衰减线的边界点)的右边 Ctrl+Alt+右箭头键Nudge cursor on timeline 把光标在时间线上移动 左或右箭头键Move one frame left/right 把光标向左或向右移动一帧 Alt+左或右箭头键Time selection commands 时间选择命令命令 热键Snap select to event edges 把选择区咬合到事件边界上 Ctrl+Shift+Alt+左或右箭头键Select loop region 选择要循环的片段 Ctrl+QRecover previous selection areas 恢复先前所选择区域 BackspaceSelect left by grid marks 按网格线向左选择区域 Shift+Page UpSelect right by grid marks 按网格线向右选择区域 Shift+Page DownMake a selection during playback 在回放时标记选择区 I (入点)和O (出点)Select to previous/next CD track 选择前一条/下一条CD 轨 Shift+Comma 或 Shift+句号Enter location for end of selection 键入选择区结尾点的位置 Ctrl+Shift+GCreate time selection while dragging on an event在一个事件上拖拽时产生时间选择区Ctrl+Shift+用鼠标拖拽Expand selection one frame 把选择区按一帧一帧的扩大 Shift+Alt+左或右箭头键Vegas Video 快捷键 4Playback and preview 回放与预览命令 热键Start/Stop playback 起动/停止回放 SpacebarStop playback 停止回放 EscPlay from any window 从任意一个窗口回放 Ctrl+Spacebar或F12Pause 暂停 EnterLooped playback 循环回放 QRecord 录音 Ctrl+RScrub playback 刮擦回放 J, K, or LSelectively prerender video 选择性地再现视频 Shift+MPreview in player 在播放器中预览 Ctrl+Shift+MBuild dynamic RAM preview 构筑动态RAN 预览 Shift+BEvent selection 事件选择区命令 热键Range select 范围选择 Shift+点击第一个和最后一个事件Multiple select 选择多个片段 Ctrl+点击单个事件Select all 选择所有的 Ctrl+AUnselect all 不选择所有的 Ctrl+Shift+AEvent editing 事件编辑命令 热键Move selected events right one pixel 把被选择事件向右移动一个像素 数字键盘 6Move selected events left one pixel 把被选择...
Google SketchUp (草图大师)skp格式直接导入3D max 的插件。
求此...
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急!!伸懒腰英文怎么说
UNIT 4 The Virtual World Part I Pre-Reading Task Listen to the recording two or three times and then think over the following questions: 1. Is the hero a student or an employee 2. What was he doing when the boss came in 3. How did he act in front of his boss 4. Can you guess what the texts in this unit are going to be about The following words in the recording may be new to you: surf vt. (在网上)漫游 log onto 进入(计算机系统) unpredictable a. 不可预测的 Part II Text A Maia Szalavitz, formerly a television producer, now spends her time as a writer. In this essay she explores digital reality and its consequences. Along the way, she compares the digital world to the "real" world, acknowledging the attractions of the electronic dimension. A VIRTUAL LIFE Maia Szalavitz After too long on the Net, even a phone call can be a shock. My boyfriend's Liverpool accent suddenly becomes impossible to interpret after his easily understood words on screen; a secretary's clipped tone seems more rejecting than I'd imagined it would be. Time itself becomes fluid — hours become minutes, or seconds stretch into days. Weekends, once a highlight of my week, are now just two ordinary days. For the last three years, since I stopped working as a television producer, I have done much of my work as a telecommuter. I submit articles and edit them via email and communicate with colleagues on Internet mailing lists. My boyfriend lives in England, so much of our relationship is also computer-assisted. If I desired, I could stay inside for weeks without wanting anything. I can order food, and manage my money, love and work. In fact, at times I have spent as long as three weeks alone at home, going out only to get mail and buy newspapers and groceries. I watched most of the endless snowstorm of'96 on TV. But after a while, life itself begins to feel unreal. I start to feel as though I've become one with my machines, taking data in, spitting them back out, just another link in the Net. Others on line report the same symptoms. We start to feel an aversion to outside forms of socializing. We have become the Net critics' worst nightmare. What first seemed like a luxury, crawling from bed to computer, not worrying about hair, and clothes and face, has become a form of escape, a lack of discipline. And once you start replacing real human contact with cyber-interaction, coming back out of the cave can be quite difficult. I find myself shyer, more cautious, more anxious. Or, conversely, when suddenly confronted with real live humans, I get overexcited, speak too much, interrupt. I constantly worry if I am dressed appropriately, that perhaps I've actually forgotten to put on a skirt and walked outside in the T-shirt and underwear I sleep and live in. At times, I turn on the television and just leave it to talk away in the background, something that I'd never done previously. The voices of the programs are comforting, but then I'm jarred by the commercials. I find myself sucked in by soap operas, or needing to keep up with the latest news and the weather. "Dateline," "Frontline," "Nightline," CNN, New York 1, every possible angle of every story over and over and over, even when they are of no possible use to me. Work moves into the background. I decide to check my email. On line, I find myself attacking everyone in sight. I am bad-tempered, and easily angered. I find everyone on my mailing list insensitive, believing that they've forgotten that there are people actually reading their wounding remarks. I don't realize that I'm projecting until after I've been embarrassed by someone who politely points out that I've attacked her for agreeing with me. When I'm in this state, I fight my boyfriend as well, misinterpreting his intentions because of the lack of emotional cues given by our typed dialogue. The fight takes hours, because the system keeps crashing. I say a line, then he does, then crash! And yet we keep on, doggedly. I'd never realized how important daily routine is: dressing for work, sleeping normal hours. I'd never thought I relied so much on co-workers for company. I began to understand why long-term unemployment can be so damaging, why life without an externally supported daily plan can lead to higher rates of drug abuse, crime, suicide. To restore balance to my life, I force myself back into the real world. I call people, arrange to meet with the few remaining friends who haven't fled New York City. I try to at least get to the gym, so as to set apart the weekend from the rest of my week. I arrange interviews for stories, doctor's appointments — anything to get me out of the house and connected with others. But sometimes being ...
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